John Fordham 

Chick Corea: The Vigil – review

More than just polishing silverware, Chick Corea's latest album cherishes the past but forges forwards at the same time, writes John Fordham
  
  

Chick Corea (second from right) and band
On scintillating form … Chick Corea (second from right) and band Photograph: PR

Pianist Chick Corea, now 71, sounds on scintillating form here – in fact, his acoustic break on the Coltranesque Pledge for Peace ranks among his all-time best solos in its constant replenishment of ideas. This album's lineup includes virtuoso bass guitarist Hadrien Feraud, fiery British reeds-player Tim Garland and implacably tight drummer Marcus Gilmore. It mixes time-switching fusion forays, typically Spanish-flavoured Corea themes, soft-swinging ballads and soulful meditations such as the aforementined Pledge for Peace, which is enhanced by guest Ravi Coltrane's vibrantly mournful tenor sax. Only a faintly self-conscious free-form episode, nodding to Corea's Bitches Brew period with Miles Davis, sounds remotely insecure. The title apparently represents the vigil of jazz's elder statespersons in cherishing their pasts – but this unexpectedly full-on set is all about celebrating and reinventing, not polishing silverware.

 

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