You may know about the life of Alexander Zemlinsky (1871-1942): born full of promise in old Vienna, dying disappointed and neglected in émigré New York, brother-in-law of Schoenberg, lover of Alma Schindler who ditched him for Mahler. But there are increasing attempts to address this imbalance, with some of Zemlinsky's prominent, later works – the Lyric Symphony and the tone poem The Mermaid – now programmed regularly. These two early symphonies, played with the right degree of late-Romantic lushness and fluency by the BBC NOW under Martyn Brabbins, places him firmly in that fascinating stylistic crevice between Brahms and Mahler. Whether you see him as a footnote to the 19th century or a prelude to the 20th, the music has a variety and melodic warmth which is well worth exploring.
Zemlinsky: Symphonies in D minor and B flat major – review
File these melodic early symphonies by Alexander Zemlinsky somewhere between Brahms and Mahler, writes Fiona Maddocks