Phil Mongredien 

Buck Meek: Two Saviors review – too laid-back for his own good

The Big Thief guitarist’s wonderfully relaxed second solo album all but drifts by
  
  

Buck Meek.
Buck Meek. Photograph: Josh Goleman

After releasing two excellent albums, UFOF and Two Hands, with Big Thief in 2019, the New York-based indie-folkers’ core duo have since concentrated on their solo careers. Frontwoman Adrianne Lenker’s companion sets Songs and Instrumentals came out simultaneously in October, and guitarist Buck Meek now follows suit with a second LP under his own name.

Recorded in New Orleans during a heatwave, Two Saviors has a wonderfully loose feel. Meek’s gently enunciated vocals, delivered with all the urgency of Kurt Vile awaking from a nap, are backed by a band that knows how to keep it simple, Mat Davidson’s pedal steel and organ from Meek’s brother Dylan giving proceedings a timeless country feel.

This lack of immediacy is a double-edged sword, however: too often the songs are so laid-back that they slide out of focus. Even the relatively raucous Ham on White fails to snag the attention. Meek’s gossamer-light vocal style is part of the problem, making it hard to invest too much in his tales of vaguely defined loss. So when, on Pocketknife, he sings, “Saw a murder”, the words leap out and your ears prick up, only for him to add, with his next breath, “of crows move by” and puncture the drama.

Listen to Buck Meek’s Second Sight.
 

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