Ammar Kalia 

The Linda Lindas: No Obligation review – viral LA teen punks are here to stay

The foursome channel their blistering, rage-fuelled energy into a mature second album with hints of Foo Fighters and Olivia Rodrigo
  
  

The Linda Lindas.
‘Infectious enthusiasm’: the Linda Lindas. Photograph: Jessie Cowan

When a video of four girls shredding guitars and screaming about a “racist, sexist boy” in the LA public library went viral in 2021, it proved a powerful launchpad for the Linda Lindas. Combining chugging drums with sludgy guitars, pop hooks and emphatic punk vocals, the quartet’s 2022 debut record, Growing Up, skewered the awkward angst of adolescence. Now mostly reaching the tail-end of their teens, the group’s follow-up, No Obligation, showcases a maturing sound.

Blistering, rage-fuelled compositions kick in from the opening title track, which features vocalist and bassist Eloise Wong cathartically screaming about her refusal to conform, while the frenetic Resolution/Revolution and Excuse Me both hit hard courtesy of drummer Mila de la Garza’s punishing groove. There is energy aplenty, yet it’s on the slower, more melodic numbers that the album offers exciting new ground. The downtempo guitar melody of All in My Head, for instance, channels the singalong songwriting of the Foo Fighters, while the pop-punk Don’t Think wouldn’t feel out of place in the hands of Olivia Rodrigo.

Rather than a pastiche of styles, No Obligation displays the depth of the Linda Lindas’ developing musical skill, capable of channelling their infectious enthusiasm beyond virality into a long-lasting career.

Watch the video for the Linda Lindas’ No Obligation.

• This article was amended on 18 October 2024. An earlier version referred to Lucia de la Garza as being the vocalist on the album’s title track; the group’s bassist, Eloise Wong, in fact leads on that song. Also it said the band were reaching the end of their teens; that is true for three of the members, but the fourth is 14

 

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