Ben Beaumont-Thomas 

Sightless Pit: Grave of a Dog review – witchy trio unleash hell

The underground supergroup bin their guitars in favour of obscure sound-making – and conjure a gloriously hellish mood
  
  

The sound of the lid being removed from a coven’s cauldron … Sightless Pit.
The sound of the lid being removed from a coven’s cauldron … Sightless Pit. Photograph: Jeffrey Lee Beaulieu

‘When shall we three meet again in thunder, lightning or in rain?” That’s what you can imagine this decidedly witchy trio saying to each other after finishing this study in brutality. They are an underground supergroup of Kristin Hayter (AKA doom-laden torch singer Lingua Ignota), Lee Buford (drummer from the utterly brilliant outsider metal duo the Body) and Dylan Walker (vocalist from the equally brilliant grindcore band Full of Hell).

The trio subvert expectations by doing away with guitars and live drums altogether, instead using drum machines, samples and more obscure means to scorch the earth. As ever, Hayter sound like she’s delivering a benediction in a church on fire, and she’s trying nobly to withstand the flames. When the group’s productions pare back to quivering ambient drift and pulsations from far below, on Violent Rain and Love Is Dead, All Love Is Dead, she seems to regard the wreckage around her sadly. Walker, meanwhile, is the sound of the violence that got us here, his unhinged howl often fed through a mesh of static.

Hayter brilliantly conjures atmosphere, but could perhaps hone some more arresting melodic progressions like her lament on Kingscorpse. It is Walker’s voice, blasted beyond melody into pure ranting expression, that seals the record’s strongest moments: pairing it with minimal techno grooves and explosions of noise on Kingscorpse, Immersion Dispersal and Drunk on Marrow, the group create the sound of the lid being removed from a coven’s cauldron, and all hell breaking loose.

 

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