Neil Spencer 

Various: Rise Jamaica review – independence celebration of the island’s pre-reggae sounds

This double-album selection of the music of 1962 shows the roots of ska and reggae – and the exuberance of the times
  
  

Jimmy Cliff.
Jamaican star Jimmy Cliff. Photograph: Michael Ochs Archives/Getty Images

Jamaica’s independence in August 1962 marked not just the sovereignty of a new nation but the arrival of a new music destined to become a global force. Reggae as a genre lay a few years down the line, but this expansive two-CD collection drawn from independence year captures its innovative origins. Jamaica’s template was the shuffle and boogie of American R&B, but that was swiftly alchemised by the verve of an island brimming with young talent. On one side were gifted singers such as Owen Gray and Derrick Morgan, respectively represented by cuts including Midnight Track and Housewife’s Choice, while a 16-year-old Jimmy Cliff celebrated Miss Jamaica and narrated the trials of that year’s Hurricane Hattie.

As important were the musicians supplying the backings and starring in their own right on instrumentals that combined the island’s trademark offbeat rhythms with the freedom and virtuosity of jazz – players such as tenor saxophonist Roland Alphonso, who crystallised the new “ska” sound. Most tracks come from producer Duke Reid, and there are too many missing classics from sound-system rivals such as Lloyd Coxsone for Rise Jamaica to be definitive, but the exuberance and optimism of the times is ever present. A timely, captivating celebration for the island’s 60th birthday.

Listen to Midnight Train by Hortense Ellis, from Rise Jamaica!
 

Leave a Comment

Required fields are marked *

*

*