Neil Spencer 

Joshua Jaswon Octet: Polar Waters review – a soaring blend of jazz and poetry

The saxophonist’s heartfelt album on ecological themes is adventurous and musically playful
  
  

Anna Serierse and Joshua Jaswon, centre, and the rest of his octet.
Singer Anna Serierse and Joshua Jaswon, centre, with the rest of his octet. Photograph: Dovile Sermokas

London-born alto saxophonist Joshua Jaswon was so appalled by Brexit that he moved to Berlin to pursue his ambitions as band leader and composer. In 2020 he delivered Silent Sea, a moving commentary on ecology and populism, played with gusto by his pan-European eight-piece and incorporating poems from a collection by the Scottish poet Jackie Kay. Polar Waters follows a similar course, being centred on oceanic themes, its music entwined with assorted modern poems given voice by the brilliant Dutch singer Anna Serierse.

It’s a heartfelt album, but more playful than its earnest themes suggest. Jaswon’s vision for jazz is unusual; he likes the swell and drive of a brassy big band, but also the more intimate moments of a small group, where guitarist Johannes Mann shines, while Jaswon’s octet executes his occasionally demanding arrangements faultlessly. The celebratory Swimming in Winter gets two versions; one bright and noisy, the other, led by Jaswon’s soprano sax, meditative. Claire Cox’s four-part Seasick is both angry and elegiac, with Serierse’s vocals soaring above the band, who are in rumbustious mood on Bright Polar Waters. Jaswon’s dream of a meld between music, poetry and science (stimulated by Oxford’s three “SciPo” anthologies) is on course.

Listen to Landfill by the Joshua Jaswon Octet.
 

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