Freaky Party

Music Reviews and more

Main menu

Skip to primary content
Skip to secondary content
  • Pop/Rock
  • Metal
  • Indie
  • Electronic
  • Folk
  • Jazz
  • Classical

Post navigation

← Older posts
Newer posts →

Sinfonia of London/ Wilson/ Kantorow review – pushing the limits of the well-oiled orchestral machine

Conductor John Wilson and players delivered an Enigma Variations that veered between whispers and full-throttle intensity. Soloist Alexandre Kantorow, too, proved a master of extremes with Prokofiev’s Piano Concerto No 3

BBC Symphony Orchestra/ Oramo/ Son review – rainy days, rolling hills and enchanted creatures

Judith Weir’s salute to the Indian monsoon kicked off a concert on nature and folk themes, Korean pianist Yeol Eum Son brought poetic flourishes to works by Bartók and Finzi, while the magical Firebird made a rousing finale

BBCNOW/Djupsjöbacka review – Tower’s Love Returns is an uncommonly appealing piece

Joan Tower’s concerto for alto saxophone was brilliantly delivered by Steven Banks, part of a lively concert

Hallé/Chauhan/Helseth review – Muhly paints doom with Helseth’s gleaming trumpet

Bridgewater Hall, Manchester Receiving its UK premiere in a programme with Britten and Walton, Nico Muhly’s trumpet concerto is inspired by the instrument’s biblical – sometimes apocalyptic – associations

Elisabeth Leonskaja review – piano legend’s unerring sense of architecture reveals connections and kinships

In her recital programme of Beethoven, Schoenberg, Chopin, Webern and Schubert, the Austrian pianist brought new insights and expected delights

James Blake: Trying Times review – platitudes about politics and Kanye can’t detract from an excellent album

Amid the stylistic shifts of Blake’s seventh record come samples of Dusty Springfield and Dizzee Rascal: gripping distractions from some preachy sentiments

Joseph Nolan: The Complete Alkan Organ Works, Vol 1 album review – seething with quasi-orchestral colour

From operatic frenzy in one moment to pianissimo whisper the next, Nolan does exhilarating justice to an extraordinary but little known repertoire

Nemanja Radulović: Prokofiev album review – thrills and spills from a fearless violin virtuoso

Radulović brings irresistible swagger to selections from Romeo and Juliet and Cinderella, while a more restrained duet fosters a fine sense of dialogue

Philharmonia/Alsop/Weilerstein review – tricky acoustic mutes the sonic drama

Weilerstein gave a virtuosic account of Gabriela Ortiz’s Grammy-winning Cello Concerto in a concert hall whose dry acoustic made things challenging at times

Monteverdi Choir/English Baroque Soloists/Whelan review – St John Passion of drama and authority

Peter Whelan conducted a performance of Bach’s oratorio that was full of driving cinematic excitement and touching humanity

LSO/Hannigan review – intensely fluent soprano switches into full command as conductor

Barbara Hannigan began the evening singing an intense monodrama based on Han Kang’s The White Book, then led the orchestra through unsparing Ligeti and Strauss

Feshareki/BBC Singers/Goddard review – goddess-inspired soundscape stuck in the great unknown

Shiva Feshareki’s Divine Feminine fails to find its focus despite soprano Emma Tring’s incandescent, fearless performance of Celtic deity Brigid

Hallé: Huw Watkins album review – Covid-era commissions capture energy and hope after lockdown

Watkins’s symphony, fanfare and concerto make for a spirited showcase of the orchestra’s clean harmonies

Lise Davidsen and James Baillieu: Live at the Met album review – electrifying renditions make the momentous intimate

Recorded in New York in 2023, the soprano sings Strauss, Wagner, Grieg and more to thrilling effect, her sincerity and passion matched perfectly on piano

Philharmonia/ Schwarz/ Ólafsson review – a masterclass in pianissimo

Marking György Kurtág’s 100th birthday, Elena Schwarz and Víkingur Ólafsson led a programme of hushed intensity and fleeting ferocity

Post navigation

← Older posts
Newer posts →
  • LSO/Frang/Pappano review – tragic and thrilling Shostakovich and silky and spiky Korngold
  • Sean Shibe: Vesper album review – ever-imaginative guitar virtuoso brings mind-expanding flights of fancy
  • The Flying Dutchman review – delusion, torment and menace in detailed and finely sung Wagner
  • Olivia Rodrigo: Drop Dead review – a maximalist rush of infatuation that’s just a bauble short of festive
  • Lucy Liyou: Mr Cobra review – an arresting trip through the volatile emotions of a predatory relationship
  • Various artists: Asili ya Mama review – Tanzanian field recordings tell women’s stories with an energetic trill
  • Samuel Hasselhorn: Schubert Hoffnung review – timbral and emotional flexibility is in ample supply
  • Jessie Ware: Superbloom review – Table Manners host dishes up more disco – but where are the bangers?
  • Massive Attack: Boots on the Ground (ft Tom Waits) review – first single in a decade is a dark hymn for our times
  • Brodsky Quartet / William Barton review – two hemispheres meet in winning didgeridoo collaboration
  • Leeds Song festival review – from haiku to hauntings in evening that thinks outside the box
  • Karol G at Coachella review – electrifying set destined for festival’s hall of fame
  • Dido and Aeneas review – young Welsh talent shines bright in Purcell
  • Justin Bieber at Coachella review – pop’s troubled prince mostly hits right notes in low-energy set
  • National Youth Orchestra/ Chauhan: Collide review – surging energy and remarkable intensity
  • Salome review – righteous fury and dynamic clarity give Regents Opera its head
  • The xx at Coachella review – indie trio reunites for spellbinding, rangy set
  • Sabrina Carpenter at Coachella review – madcap maximalism from pop savant
  • Tori Amos review – fans hang on every note of this dramatic deep dive into her back catalogue
  • Reckonwrong: How Long Has It Been? review – wonky delight with shades of Arthur Russell and Robert Wyatt
  • Holly Humberstone: Cruel World review – Taylor Swift fave trades gothic melancholy for pop glow-up
  • Reich: The Sextets album review – Colin Currie celebrates the minimalist master’s joy of six
  • Mahler Symphonies 1–9 album review – Bychkov’s set earns a place in a starry pantheon
  • My New Band Believe review – beautiful ideas burst from ex-Black Midi man’s lovable debut album
  • Belle and Sebastian review – joyful anniversary tour makes debut album brighter than ever
  • Suzi Quatro review – at 75, her signature scream is still thrilling
  • Pet Shop Boys review – no hits? No problem on first night of a masterful obscurities run
  • James review – special band still filling arenas with anthems of warmth and humanity
  • Shostakovich: Symphonies No 2 and 5 album review – early experiment meets mature power
  • Messiah album review – Whelan takes Handel’s oratorio back to its beginnings

Contact www.freakyparty.net   Terms of Use