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Lorde: Virgin review – chaos, carnality and compulsions meet cataclysmic choruses

After her last album embraced switching off, the musician returns to pop’s fray to revel in the mess of late-20s angst with a strikingly unsettled sound

Dâdalus & Bikarus: Off the Shelf review – energetic, near-erotic tracks build to a whirlwind of sound

Zurich-based musicians Benedikt Merz and David Hänni meld krautrock, punk and big beat into tripped-out, swampy grooves that reach dizzying heights

Lyra Pramuk: Hymnal review – slime-toting composer’s dazzling and difficult devotional music

Inspired by the intricate webs of creeping slime mould, Pramuk’s fascinating ideas can get lost in a primordial soup of genres and textures

Stereolab: Instant Holograms on Metal Film review – after 15 years, the retro-futurists make a radiant return

Motorik grooves, Marxist critique and vintage synths – in their first album since 2010, Laetitia Sadier et al pick up where they left off yet sound more timely than ever

Real Lies: We Will Annihilate Our Enemies review – lad laureate meets euphoric synths

Kevin Lee Kharas’s muttered musings about love and life are given a sumptuous electronic backdrop by producer Patrick King

Sherelle: With a Vengeance review – UK dance debut is dizzyingly doof-doof-doof

The Londoner has alighted on a sophisticated, high-tempo hybrid of footwork and jungle – and seems to suggest a better way of living

DJ Koze: Music Can Hear Us review – party-starting nostalgist is as playful as ever

Appealingly rough around the edges, the Hamburg DJ’s fourth album voyages from a Damon Albarn amapiano track to harsh 90s drum’n’bass

FKA twigs review – an eye-popping extravaganza of dancing and demons

The ever out-there British artist tours her latest album, Eusexua, with a show whose mix of club vibe, winged beast props and prime back catalogue delights and confounds

Bdrmm: Microtonic review – Hull shoegazers nod towards the dancefloor

The quartet’s increasingly electronica-based textures convey a sense of tension and unease on their third album

Maribou State review – UK duo turn darkness into light after existential crisis

With Chris Davids recovered from a brain condition, the electronic act’s first tour in years is full of committed, emotionally resonant performances

FKA twigs: Eusexua review – a hymn to the healing power of the dancefloor

Coining a word to describe a particular state of euphoria, twigs effortlessly juggles left-field digitals and club pop tunes on album No 3

Aphex Twin: Music from the Merch Desk (2016-2023) review – Santa’s sack overspills with AFX bounty

Compiling the highly sought-after limited vinyl releases sold at recent festival sets, this surprise 38-track release filled with bangers and beauty is a trove for fans

Bubble Love: Bubble Love review – Ross From Friends’ high-energy pop-club side project

Producer Felix Weatherall adopts another guise, swapping lo-fi analogue for a disorienting burst of alternative dance music

Poppy: Negative Spaces review – screams and sweetness as metalcore meets loungecore

On her sixth album, the multi-genre star seems to be having an identity crisis – but amid the industrial guitars and synthpop, she clearly trusts her own instincts

Underworld: Strawberry Hotel review – sweet bangers and sad laments

The techno giants’ 11th album finds them ranging from cut-up dancefloor fillers to gentle experimentation

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  • Nicola Benedetti and friends review – delicious bite-sized musical snacks from a violinist still top of her game
  • Ikonika: Sad review – vocal-led new direction is a hit for the Hyperdub veteran
  • HTRK: String of Hearts (Songs of HTRK) review – friends from Liars to Kali Malone rework their noisy gems
  • Lachenmann: The String Quartets review – Quatuor Diotima draw you into his strange and compelling soundworld
  • Beethoven & Brahms: Violin Concertos album review – as supple and coherent as ever as the ACO celebrates 50
  • The Durutti Column: The Return of the Durutti Column review – fragile classic that echoes far beyond its time
  • Hania Rani: Non Fiction review – atmospheric and absorbing storytelling by Polish composer
  • Doja Cat review – ignore the headlines, this is a pop provocateur at the top of her game
  • My Bloody Valentine review – shoegaze pioneers find prettiness in pulverising noise
  • The Hives review – veteran punk’n’rollers fizz with megawatt energy
  • Bad Omens review – anthemic songs and pillars of fire dampened by arena nerves
  • Huddersfield Contemporary Music festival review – ghostly echoes, fearless voices and the rattle of milk frothers
  • Brandy and Monica review – 90s R&B heavyweights bring star-studded reunion to New York
  • Partenope review – edgy and erotic Handel update
  • LSO/Pascal review – from an effervescent marimba to funeral gongs in compelling new music concert
  • Battle of the Sexes review – tennis’s most famous match becomes kitschy, pacey opera
  • Elgar: The Dream of Gerontius album review – Gardner and the LPO’s reading is bold and dramatic
  • Debit: Desaceleradas review – Afro-Latin club sounds slowed to a seductive crawl
  • De La Soul: Cabin in the Sky review – a full-colour celebration of Trugoy the Dove that never feels heavy
  • Brahms: Symphony No 1, Tragic Overture album review – Petrenko and the Berliners give Brahms organic momentum
  • Stevie Nicks review – rock legend dazzles Brooklyn with anecdotes and classic hits
  • CBSO/Vänskä review – weird brilliance and neurotic tics in a compelling programme
  • Víkingur Ólafsson: Opus 109 album review – pianist’s concept album opens up transcendent vistas
  • Oneohtrix Point Never: Tranquilizer review – uncanny ambient music for an agitated era
  • Mulatu Astatke review – father of Ethio-jazz still innovating during farewell tour
  • The Devil’s Den review – folk horror opera with morris dancing and a sinister rabbit is an eccentric delight
  • Lorde review – viscerally kinetic theatrics and euphoric abandon
  • Trouble in Tahiti review – vibrant staging of Bernstein’s one-acter of marital discord
  • أحمد [Ahmed]: Sama’a (Audition) review – a wild, world-spanning act of musical devotion
  • JJJJJerome Ellis: Vesper Sparrow review – shape-shifting composer taps the musical potential of their stutter

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