Caribou review – small-scale sweaty return showcases potent pivot to pop
Playing mostly new material from upcoming album Honey, this mainstream club fare is given huge personality by Dan Snaith’s croon and yearning songcraft
Fred Again: Ten Days review – pop house with unfulfilled pretensions
An album of lofty intentions and muttered musings from the dance artist de jour is saved by a gift for a nagging hook and uplifting melody
Nala Sinephro: Endlessness review – cosmic jazz musician’s cycle-of-life meditation
The harpist-composer follows her remarkable debut with 10 lush, spacey electro-acoustic tracks featuring guests such as Nubya Garcia
Supersonic festival review – an awesome windmill of noise and connection
This festival of heavier sounds from the fringes was a blast, from chilling Gazelle Twin to Daisy Rickman’s Krautrock-folk, noise icons Melt-Banana and locals Flesh Creep
Laurie Anderson: Amelia review – return flight with aviation pioneer is a long haul
The US musician’s reboot of a 2000 work about Amelia Earhart is frustratingly slow to take off
Jon Hopkins: Ritual review – cosmic catharsis lacks lift-off
Originally written for an installation with mind-altering intentions, the producer’s seventh album is occasionally engaging but dissolves into drift
Rally festival review – thrilling blend of cult DJs and indie darlings
Mount Kimbie’s electro-acoustic jams capture the ethos of this celebration of the boundary pushing that included sets from Two Shell, Nilüfer Yanya and bar italia
Bizhiki: Unbound review – commanding Native American songcraft
Powwow singing from Joe Rainey and Dylan Bizhikiins Jennings blends with electronic production on a spirited album that reframes a rich cultural tradition
Kiasmos: II review – will have you crying tears of joy on the dancefloor
The Icelandic-Faroese duo follow their 2014 cult debut with a second album of meticulous, majestic, simply beautiful electronic music
Sam Morton: Daffodils & Dirt review – actor’s intoxicating trip-hop debut
Oscar nominee Samantha Morton teams up with label exec Richard Russell for an unnerving, dreamy album inspired by childhood trauma
Charli XCX: Brat review – insecurity-obliterating anthems by pop’s most human superstar
Beyond the sleaze, grinding bass and it-girl in-jokes, the British visionary’s sixth album is a masterpiece that understands how a hard persona can offer protection
Porij: Teething review – dance music without drama or daring
The Manchester band sing about edginess and emotional danger, but never manage to give their beats any tension
Regurgitator: Invader review – the new stuff is as good as the old stuff
The Australian band are back on form with one of their finest albums, showing that they still have more than enough new tricks to keep things interesting
Kelly Moran: Moves in the Field review – the pianist duets with her augmented self
Written on a programmable piano, the US musician’s new album remains graceful and accessible – in spite of her non-human playing partner
Michelle Moeller: Late Morning review – sparkling, ethereal sound manipulations
The US artist’s debut album mixes prepared piano with programmed synth effects in woozy harmonic compositions that soar and thrill