Freaky Party

Music Reviews and more

Main menu

Skip to primary content
Skip to secondary content
  • Pop/Rock
  • Metal
  • Indie
  • Electronic
  • Folk
  • Jazz
  • Classical

Post navigation

← Older posts
Newer posts →

Madison Cunningham review – complex new tunes from a folk singer with a knack for a twist

The Los Angeles musician is developing a heavier, rockier sound than before, but her astonishing voice and intuitive melodies are as strong as ever

Tunng: Love You All Over review – a delightfully quirky return from the folktronica pioneers

The inventive English six-piece deliver another slice of whimsy, wit and gentle musical experimentation

Bridget Hayden and the Apparitions: Cold Blows the Rain review – wild weather and maternal lullabies

Hayden’s traditional songs unfurl at a glacial pace, as heavy as the sodden moors at midnight

Music: Kitty Empire’s 10 best albums of 2024

Americana’s classiest duo weather the storm, Kendrick Lamar has the last word, UK jazz soars – and Charli xcx unleashes the power of Brat

Merope: Vėjula review – Lithuanian folk reborn in glittering new forms

The duo are joined by a stellar cast including Bill Frisell and Laraaji, bringing innovation and playfulness to their bright, elemental music

Distant Voices, New Worlds review – avant-garde vision of Albion by bright British composers

Inspired by the South Downs near Brighton, this selection box of new work from contemporary composers is English to its core – and yet defies tradition

Laura Marling review – a sumptuous performance, with strings attached

The singer-songwriter’s impressive showcase of her new album is bookended by solo guitar numbers that underline what a class act she is

Iron & Wine review – shadow puppets and folk-pop combine in singular gig

Emmy award-winning puppeteers Manual Cinema occasionally pull focus from Sam Beam’s rich songwriting, but mostly enhance it with eerie and intricate staging

Róis: Mo Léan review – ancient keening songs filled with startling new life

Singer Rose Connolly expands the pre-Christian Irish grieving tradition with synthesisers, distortion and drone in an arresting set

Leon Bridges: Leon review – deliciously soulful confection with added country

(Columbia)The musician’s emotional fourth album borrows liberally from the past but the themes are modern and the sound utterly timeless

Willie Watson: Willie Watson review – a former hell-raiser finds his voice

Known for his versions of old American folk, the singer finally puts his extraordinary voice at the service of his own material

Mustafa: Dunya review – poet’s songwriting is a little too beautiful for its own good

The multitalented Canadian renders his subtle songs in tasteful autumnal shades – but could have benefitted from more head-turning numbers such as Gaza Is Calling

The Rheingans Sisters: Start Close In review – a radical leap into darkness

With their golden voices, fertile soundworlds and evocative influences from across Europe, the Sheffield duo’s fifth album is admirably confrontational

Astrid Williamson: Shetland Suite review – a beautiful enchantment

The Scottish musician pays tribute to her homeland and her late mother with this powerfully moving set

Supersonic festival review – an awesome windmill of noise and connection

This festival of heavier sounds from the fringes was a blast, from chilling Gazelle Twin to Daisy Rickman’s Krautrock-folk, noise icons Melt-Banana and locals Flesh Creep

Post navigation

← Older posts
Newer posts →
  • Wireless festival review – Drake’s disjointed three-night headline run smacks of desperation
  • Salome review – a frankly astonishing concert performance
  • Justin Bieber: Swag review – inane lyrics undermine a gorgeously produced R&B passion project
  • Carmen review – feminist take on opera’s notorious femme fatale has swagger and style
  • Recital for a World Gone to Sh*t review – full-throttle fury meets beautiful, blistering verse
  • Kokoroko: Tuff Times Never Last review – ruminative jazz outfit get stuck in a relaxed rut
  • Phase Space: Degrees of Freedom review – improvisation knocks ambient tracks pleasingly off-kilter
  • Bless Me Father by Kevin Rowland review – the Dexys Midnight Runners frontman tells all
  • Schubert: Piano Sonata in A major, D959; Moments Musicaux album review – grandeur and grace from Steven Osborne
  • Steve Reich: Jacob’s Ladder; Traveler’s Prayer album review – at nearly 90, he’s as energetic as ever
  • Clipse: Let God Sort Em Out review – reunited rap greats deliver one of the albums of the year
  • Blackhaine: And Now I Know What Love Is review – avant garde dance that grabs hold of your senses
  • Kendrick Lamar & SZA review – a pyrotechnic party of dark and light
  • Wet Leg: Moisturizer review – Doritos, Davina McCall and dumb fun from British indie’s big breakout band
  • Ed Sheeran’s Pollock homage has energy but no feeling or truth
  • Cover Her / Scenes from Under Milk Wood reviews – music for an unsettlingly vivid torture scene
  • Billie Eilish review – pop’s sharpest commentator plays with fame’s power dynamics
  • Stevie Wonder review – a riotously joyful celebration
  • Le Nozze di Figaro review – astute period staging of Mozart’s masterpiece is as poignant as it is funny
  • Black Sabbath and Ozzy Osbourne: Back to the Beginning review – all-star farewell to the gods of metal is epic and emotional
  • Oasis review – a shameless trip back to the 90s for Britpop’s loudest, greatest songs
  • Adès, Leith, Marsey: Orchestral Works album review – an impressive collection marks a productive association
  • Slayer review – spectacle, gore, mayhem and some of metal’s greatest songs
  • Shostakovich: Preludes & Fugues Op 87 album review – Avdeeva brings a light touch in an accomplished performance
  • Daytimers: Alterations review – Bollywood classics remixed for today’s dancefloors
  • Kesha: . (Period) review – a smart, funny return to her hedonistic hot-mess persona
  • Pelléas et Mélisande review – Longborough’s staging is accomplished and atmospheric
  • Les Indes Galantes review – popping, leaps and whoops in immersive and spellbinding Rameau
  • Semele review – Pretty Yende is a spirited but sketchy heroine in inconsistent Handel staging
  • Aurora Orchestra/Collon/Power review – Italian immersion with introspective Berlioz and extrovert Mendelssohn

Contact www.freakyparty.net   Terms of Use