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Iron & Wine review – shadow puppets and folk-pop combine in singular gig

Emmy award-winning puppeteers Manual Cinema occasionally pull focus from Sam Beam’s rich songwriting, but mostly enhance it with eerie and intricate staging

Róis: Mo Léan review – ancient keening songs filled with startling new life

Singer Rose Connolly expands the pre-Christian Irish grieving tradition with synthesisers, distortion and drone in an arresting set

Leon Bridges: Leon review – deliciously soulful confection with added country

(Columbia)The musician’s emotional fourth album borrows liberally from the past but the themes are modern and the sound utterly timeless

Willie Watson: Willie Watson review – a former hell-raiser finds his voice

Known for his versions of old American folk, the singer finally puts his extraordinary voice at the service of his own material

Mustafa: Dunya review – poet’s songwriting is a little too beautiful for its own good

The multitalented Canadian renders his subtle songs in tasteful autumnal shades – but could have benefitted from more head-turning numbers such as Gaza Is Calling

The Rheingans Sisters: Start Close In review – a radical leap into darkness

With their golden voices, fertile soundworlds and evocative influences from across Europe, the Sheffield duo’s fifth album is admirably confrontational

Astrid Williamson: Shetland Suite review – a beautiful enchantment

The Scottish musician pays tribute to her homeland and her late mother with this powerfully moving set

Supersonic festival review – an awesome windmill of noise and connection

This festival of heavier sounds from the fringes was a blast, from chilling Gazelle Twin to Daisy Rickman’s Krautrock-folk, noise icons Melt-Banana and locals Flesh Creep

Nuala Kennedy and Eamon O’Leary: Hydra review – sumptuous folk songs

With guests including Will Oldham and Anaïs Mitchell, this record’s island setting seems to bring extra light and warmth to stories of the sea, love, work, war and migration

Maestros in Fusion review – virtuosic Indian ensemble knit two traditions together

Six supremely talented jazz and classical instrumentalists, whose humility belies their mastery, all show how malleable and moving their music can be

Womad festival review – wildly entertaining treasure trove for adventurous music fans

Radically inclusive global lineup includes Sampa the Great’s feminist pizzazz, Young Fathers’ twisted genre-splicing and Bixiga 70’s full-tent conga

Raphael Rogiński: Žaltys review – hypnotic eastern European folk

This searching, soulful release conjures up the spirit of summers spent by the lake and in the forest

Peiriant: Dychwelyd review – iridescent soundscapes summon spirit of the mountains

Violinist Rose Linn-Pearl and sound artist husband Dan weave their artistry into a vivid collection evoking the natural wonders of their Welsh home

The Zawose Queens: Maisha review – vocal power and family stories

Pendo and Leah, daughter and granddaughter of Tanzanian musician Hukwe Zawose, use mesmerising thumb piano and shifting polyphony to create stirring songs

Richard Thompson: Ship to Shore review – another collection of beautifully gruelling material

Life gives more grist to the mill of the veteran singer-songwriter, whose guitar playing remains as eloquent as ever

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  • La Fanciulla del West review – insightful staging reveals the power of Puccini’s maverick masterpiece
  • 125th anniversary gala concert review – back to 1901 as Wigmore celebrates birthday playing to its strengths
  • Sugar review – Bob Mould’s reunited band still in a sweet spot between noise and melody
  • Paul McCartney: The Boys of Dungeon Lane review – at 83, his gift for melody still astounds
  • Boards of Canada: Inferno review – after 13 years away, their prodigal return is a big disappointment
  • Tosca review – Puccini’s high-octane bloodbath bonanza makes for a shocking festival kick-off
  • Dido and Aeneas review – close your eyes and this was a tremendous performance
  • Doja Cat review – pop superstar or true freak? US iconoclast plays the tension to perfection
  • Mabe Fratti and Bill Orcutt: Almost Waking review – cellist and guitarist unite for tender harmonies and torrid tangles
  • Miles Davis: Ascenseur pour l’Échafaud review – harmonic openness for Louis Malle’s haunting noir thriller
  • Or, the Whale album review – Caroline Shaw and Andrew Yee collaboration offers intimacy and joy
  • Wagner: Der Ring des Nibelungen album review – Luisi has a keen sense of the operatic architecture
  • Kurt Vile: Philadelphia’s Been Good to Me review – indie rock’s most easygoing dude gets existential
  • Feldman and Beckett: Words and Music review – hypnotic absurdism at Sheffield Chamber Music festival
  • Kraftwerk review – after more than half a century of techno supremacy, they still sound like the future
  • Requiem for America review – Brent Michael Davids gives the invisible a voice in his urgent new work
  • Anne-Sophie Mutter review – star violinist celebrates 50 years in brilliant style
  • Britten Sinfonia: Britten in America review – delightful music from a fruitful vacation
  • Harry Styles review – a genuinely charismatic performer who has pulled off one of the hardest tricks in pop
  • Drake: Iceman / Maid of Honour / Habibti review – ​triple-album comeback is a boring, bloated disaster
  • BBCNOW/Bloch/Eberle review – this was a riveting and beguiling concert
  • Dua Saleh: Of Earth and Wires review – ambitious confrontation of global catastrophe is surprisingly cautious
  • Marisa Anderson: The Anthology of UnAmerican Folk Music review – Harry Smith’s archives light up again
  • Dancing on a Volcano album review – a glorious technicolour snapshot of pre-war musical Germany
  • Genesis Owusu: Redstar Wu & the Worldwide Scourge review – political fury and propulsive fun
  • Martinů: The Symphonies 1-6 album review – Hrůša is a persuasive guide to this distinctive and likable cycle
  • Samson et Dalila review – their two voices combine as if made to measure
  • Kevin Morby: Little Wide Open review – midwestern elegist mulls over the mystery of life’s big questions
  • Angel’s Bone review – frenetic and unsettling allegory of human trafficking marks ENO’s Manchester debut
  • Shakespeare’s Sisters review: brilliantly unexpected songs and prose give voice to the voiceless

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