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Róis: Mo Léan review – ancient keening songs filled with startling new life

Singer Rose Connolly expands the pre-Christian Irish grieving tradition with synthesisers, distortion and drone in an arresting set

Leon Bridges: Leon review – deliciously soulful confection with added country

(Columbia)The musician’s emotional fourth album borrows liberally from the past but the themes are modern and the sound utterly timeless

Willie Watson: Willie Watson review – a former hell-raiser finds his voice

Known for his versions of old American folk, the singer finally puts his extraordinary voice at the service of his own material

Mustafa: Dunya review – poet’s songwriting is a little too beautiful for its own good

The multitalented Canadian renders his subtle songs in tasteful autumnal shades – but could have benefitted from more head-turning numbers such as Gaza Is Calling

The Rheingans Sisters: Start Close In review – a radical leap into darkness

With their golden voices, fertile soundworlds and evocative influences from across Europe, the Sheffield duo’s fifth album is admirably confrontational

Astrid Williamson: Shetland Suite review – a beautiful enchantment

The Scottish musician pays tribute to her homeland and her late mother with this powerfully moving set

Supersonic festival review – an awesome windmill of noise and connection

This festival of heavier sounds from the fringes was a blast, from chilling Gazelle Twin to Daisy Rickman’s Krautrock-folk, noise icons Melt-Banana and locals Flesh Creep

Nuala Kennedy and Eamon O’Leary: Hydra review – sumptuous folk songs

With guests including Will Oldham and Anaïs Mitchell, this record’s island setting seems to bring extra light and warmth to stories of the sea, love, work, war and migration

Maestros in Fusion review – virtuosic Indian ensemble knit two traditions together

Six supremely talented jazz and classical instrumentalists, whose humility belies their mastery, all show how malleable and moving their music can be

Womad festival review – wildly entertaining treasure trove for adventurous music fans

Radically inclusive global lineup includes Sampa the Great’s feminist pizzazz, Young Fathers’ twisted genre-splicing and Bixiga 70’s full-tent conga

Raphael Rogiński: Žaltys review – hypnotic eastern European folk

This searching, soulful release conjures up the spirit of summers spent by the lake and in the forest

Peiriant: Dychwelyd review – iridescent soundscapes summon spirit of the mountains

Violinist Rose Linn-Pearl and sound artist husband Dan weave their artistry into a vivid collection evoking the natural wonders of their Welsh home

The Zawose Queens: Maisha review – vocal power and family stories

Pendo and Leah, daughter and granddaughter of Tanzanian musician Hukwe Zawose, use mesmerising thumb piano and shifting polyphony to create stirring songs

Richard Thompson: Ship to Shore review – another collection of beautifully gruelling material

Life gives more grist to the mill of the veteran singer-songwriter, whose guitar playing remains as eloquent as ever

Landless: Lúireach review – fans of Celtic music should flock to this stunning sound

Four powerful voices weave tender yet disquieting harmonies on a second album that honours bold women

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  • Angel’s Bone review – frenetic and unsettling allegory of human trafficking marks ENO’s Manchester debut
  • Shakespeare’s Sisters review: brilliantly unexpected songs and prose give voice to the voiceless
  • Angine de Poitrine review – alien rock duo’s UK debut is hypnotic, harebrained and 100% worth the hype
  • Super Furry Animals review – stirring reunion showcases immaculate songcraft
  • Darkness Visible: Âme x Lawrence Power review – violist and guests reimagine the concert for the digital age
  • Charli xcx: Rock Music review – is she really pivoting from pop? Don’t be so sure …
  • Paul Simon review – at 84, back on stage after hearing loss, his resolute artistry is inspiring
  • Olof Dreijer: Loud Bloom review – the Knife star’s debut solo album is a garden of earthly delights
  • Ana Roxanne: Poem 1 review – ​a stunning pop balladeer emerges from the haze
  • Helen Charlston: A Poet’s Love album review – original and absorbing
  • Billie Eilish – Hit Me Hard and Soft: The Tour review – style trumps substance in James Cameron’s 3D oddity
  • Arcadi Volodos: Schubert piano sonata D850, Schumann Kinderszenen op15 – playfulness, longing and elegance
  • Aldous Harding: Train on the Island review – even whimsy-resistant listeners will love these lucid, luminous songs
  • Peter Grimes review – beauty and terror in Warner’s topical staging
  • Rosalía review – ribcage-rattling riot is one of the boldest, most highbrow arena shows in pop history
  • Galilee String Quartet review – Palestinian ensemble improvise their signature east-west blend
  • Tales of Love and Loss review – hauntings, tragicomedy and tweezer-sharp wit in Royal Opera triple bill
  • Gabriela Montero review – radiant renderings of postcard Spain with an excursion into the Beatles
  • Papillons review – rich and strange collaboration exemplifies the spirit of Multitudes festival
  • Morales: L’Homme Armé masses and Magnificat Secundi Toni album review – choral sounds of 16th-century Rome
  • Kneecap: Fenian review – their new album is terrific, triumphant yet tortured
  • Serokolo 7: Maramfa Musick Pro review – South Africa’s latest club export is a relentless adrenaline shot
  • Kacey Musgraves: Middle of Nowhere review – weary, rootsy and wry, it’s her richest album since Golden Hour
  • Beethoven: The Sonatas for Piano and Cello album review – Watkins and Bax have a shared impulse to deliver eloquence
  • O/Modernt review – from Auerbach to Mahler, the fires of love bruise, batter and delight
  • Ne-Yo and Akon review – joyous joint tour is like time-travelling to a messy night out in 2010
  • Schwarzman Centre opening concerts – a magnificent new monument to secular culture
  • Wozzeck: Wretches Like Us review – Berg’s harrowing opera is more adrenaline-inducing than ever
  • Turangalîla: Infinite Love review – RPO and 1927 Studios bring Messiaen to joyous and vibrant life
  • Anohni review – masterful songbook reinventions are an out-of-body experience

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