Teyr: Estren review – a catch of fresh folk This accomplished trio’s intricate arrangements of uilleann pipes, accordion and guitar are in a class of their own
Rhiannon Giddens and Francesco Turrisi: They’re Calling Me Home review – big, beautiful laments From lockdown in Ireland, Giddens and Turrisi range across folk traditions on exceptional covers and originals
Invisible Music by Polly Paulusma review – a vibrant celebration of Angela Carter the folkie The novelist’s early days on the folk scene are explored on this album of songs and readings
Peggy Seeger: First Farewell review – lively, blunt and irreverent songs from folk’s first lady This is Seeger’s final album of originals: a shame, as her take on feminism, ecology and life’s trials is witty and wicked
Ainsley Hamill: Not Just Ship Land review – glossy Scottish torch songs of strong women Possessed of a big and intriguing voice with a touch of wildness, Hamill has real crossover potential
Guedra Guedra: Vexillology review – splicing Moroccan culture with sub-bass Abdellah M Hassak integrates the rhythms of north African folk music with a bassline-heavy electronic pulse
Gillian Welch and David Rawlings: All the Good Times review – lockdown covers of Dylan and Prine The pandemic hangs heavy in the long-term duo’s first album to share joint billing, and thrives when Welch leads
The Staves: Good Woman review – folk-poppers rail against patriarchy On their third release, the Watford trio’s beautiful songwriting thrums with frustration at powerlessness and passivity
Frankie Armstrong: Cats of Coven Lawn review – at 80, still as intimate as ever The Natural Voice authority marks her 80th year with an album of politics, yearning and otherworldliness, always stretching her sound
Burd Ellen: Says the Never Beyond review – brilliant wintersongs make an eerie snowglobe of sound Debbie Armour and Gayle Brogan harmonise beautifully and add unnerving sounds to British seasonal songs
Katy Carr: Providence review – Anglo-Polish ballads of freedom The Nottingham-born singer returns to her roots, with a more personal edge
Gwenifer Raymond: Strange Lights Over Garth Mountain review – eerily tangled roots music Raymond’s accomplished guitar playing, inspired on her second album by her Welsh upbringing, makes for horror-tinged blues full of atmosphere
Emmy the Great: April / 月音 review – a quest for belonging The artist’s lush fourth album, written between New York and Hong Kong, is a stirring exploration of different homes
Linda Buckley: From Ocean’s Floor review – folk to take you from the sea to the stars The Irish composer combines traditional séan-nos singing with an electronic soundscape, connecting past and future
I Will Walk With My Love review – gifted soprano finds depth and dancing in folk-classical debut Paula Murrihy’s debut is a collection of folk-leaning music from Brahms, Debussy and Mahler, plus traditional songs