Katie Crutchfield’s sixth album refines the breezy country of her 2020 breakthrough Saint Cloud and finds her as compelled by the complexities of life as its eases
Seeming to play their jagged post-punky early material with some reluctance, the Leeds band strike out into bold new territory with hypnotic electronic grooves, disco stompers – and a Napalm Death collab
From Pixies to Garbage, New Order to Wolf Alice, you can clearly detect the Galway four-piece’s influences – but lyrics about shame and self-doubt make this an affecting album
Previewing their first new album for nine years to a tiny but thrilled audience, Pete Doherty and Carl Barât’s band continue to stumble around greatness
Despite all the lyrical disquiet, there is a lovely sense of ease to the Smile’s second album – and some of the best music Thom Yorke and Jonny Greenwood have put their names to in at least a decade
Ryder-Jones’s recent production experience comes to the fore on this wide-reaching album, making use of Motown, 60s pop and a children’s choir to find the light in the darkness