Freaky Party

Music Reviews and more

Main menu

Skip to primary content
Skip to secondary content
  • Pop/Rock
  • Metal
  • Indie
  • Electronic
  • Folk
  • Jazz
  • Classical

Post navigation

← Older posts

Deftones review – alt-metal veterans sound exceptionally fresh 38 years on

The US band’s brawny, pit-inciting riffs come laced with blurry waves of distortion, making for music that is oddly reflective and melancholy

Converge: Love Is Not Enough review – metalcore veterans’ rage remains fresh and furious

Even after 35 years, the intricacies and emotional pangs of these masters of technicality remain undimmed, drawing from a seemingly bottomless well of inspiration

Megadeth: Megadeth review – conspiracy theories and combustible fingers on thrash metallers’ curtain call

Tuneful yet overlong, Dave Mustaine and co’s final album is a recap of Megadeth’s strengths, flaws and familiar grudges

Bad Omens review – anthemic songs and pillars of fire dampened by arena nerves

Noah Sebastian’s vocals switch deftly from croon to scream to whisper, but the genre-hopping US metalcore band lack chemistry on the big stage

Agriculture: The Spiritual Sound review – unabashedly gorgeous noise from ‘ecstatic black metal’ band

The LA group deliver all the power and euphoria of heavy music with imaginative detailing on their second album, which will have you levitating with joy

Nova Twins: Parasites & Butterflies review – fearless rock duo balance anthems and introspection

Trailblazers Amy Love and Georgia South push the boundaries of their trademark hybrid rock sound while confronting mental health and naysayers

Bloodstock review – this is the UK’s best fest for true heavy metal madness

Trivium bring the bells and whistles, Gojira are supercharged and Machine Head get 1,011 crowdsurfers as they etch themselves on extreme metal’s Mount Rushmore

Judas Priest review – thrash, hellfire, dazzling guitar … Ozzy would have loved it

Still making stellar new music in their sixth decade, the Brummie band pay tribute to the late Black Sabbath frontman as they cement their place among the heavy metal gods

Black Sabbath and Ozzy Osbourne: Back to the Beginning review – all-star farewell to the gods of metal is epic and emotional

The biggest names in rock, from Metallica to Slayer, came to pay tribute to the men who created their entire genre – and even in old age, Sabbath’s sound has bludgeoning force

Slayer review – spectacle, gore, mayhem and some of metal’s greatest songs

The thrash legends’ first UK gig in six years is a lean and unforgivingly mean set – no breathers, no ballads, only teeth-rattling bangers

Outbreak festival review – hardcore and pop hooks collide in impeccable genre-fluid lineup

Turnstile headlined with soaring high-tempo energy while Speed went route-one punk, Jane Remover caused pandemonium and Have a Nice Life electrified their fanbase in this most free-thinking of festivals

The Callous Daoboys: I Don’t Want to See You in Heaven review – gonzo mathcore troupe grab on to pop hooks

The Atlanta sextet are as unruly as ever – but there’s a newfound poise on their third album, plus some maddeningly catchy choruses

Spiritbox: Tsunami Sea review – cataclysmic throat-shredding with a side serving of soul

The Canadian metal band’s second album is an adventure in songcraft, from boulders of invective to ruminative, poppy grooves

Motionless in White review – gothically glam US metalcore will put a grin on your face

Backed by skeletons, cheerleaders and chainsaw-wielders, Chris Cerulli and co dispense any heavy metal menace in favour of a charming sense of fun

Uriah Heep review – after 56 years, progressive heavy rockers bid a blistering live farewell

They may not have created any true rock touchstones, but they still have the powerhouse vocals and guitar skills to get the audience on their feet

Post navigation

← Older posts
  • Alim Beisembayev review – intimacy and conviction in programme of Romanticism
  • Royal Liverpool Philharmonic/ Candillari review – Simpson’s oratorio shrieks; Elgar and Sibelius stay polite
  • LPO/Tan Dun review – a full battery of drums, dramatic inhalations and hints of Mongolian throat singing
  • The Turn of the Screw review – gripping and unsettling water-logged staging of Britten’s ghost story
  • Tamerlano review – Trump, Freud and a Bridgerton escapee struggle to get a handle on Handel
  • Miroslav Vitous: Mountain Call review – double bass duets balance muscularity with mellowness
  • Flea: Honora review – Chili Pepper turns piper, taking up trumpet for a soulful jazz odyssey
  • Mendelssohn: Symphonies and Oratorios album review – Andris Nelsons’ prodigious talent on full display
  • Anne-Sophie Mutter: East Meets West album review – diverse, bold and brand new
  • Paul McCartney: Days We Left Behind review – this wistful, lovely song is as McCartney-esque as it’s possible to be
  • Rigoletto review – strong revival of Mears’s violent take, with Elder revelatory in the pit
  • Fcukers: Ö review – hyped Harry Styles-supporting NYC hedonists have the hooks to merit the hoopla
  • The Passion of Mary Magdalene review – Tansy Davies’s score is taut and intriguing
  • Imeneo review – Handel in mischievous mood handled with wit and care
  • Robyn: Sexistential review – pop doyenne returns with emotional grenades and a new philosophy
  • Raye: This Music May Contain Hope review – a wildly ambitious epic of unbridled self-expression
  • FKA twigs review – an Olympian display of pop prowess
  • Pagliacci review – Leoncavallo’s grand guignol staged with insight and commitment
  • Geese review – all hail the new saviours of rock’n’roll
  • The Gondoliers review – brilliantly barbed Gilbert and Sullivan is a feast for the eyes and ears
  • BTS review – having lost none of their chemistry, this is a comeback of epic proportions
  • BTS: Arirang review – the world’s biggest pop band return with dumb fun and downright weirdness
  • Grace Ives: Girlfriend review – bedroom-pop auteur goes widescreen for a gorgeous sobriety epic
  • Huw Marc Bennett: Heol Las review – exhilarating Welsh folk injected with synths, sitars and surf rock
  • Johannes-Passion album review – Pygmalion are razor sharp in theatrical new recording
  • Through the Centuries: Songs of Madeleine Dring album review – puts paid to any idea that she was not a serious composer
  • Underscores: U review – ultra-imaginative auteur has pop’s most brilliant brain
  • Siegfried review – invigorating and mesmerising staging, with Schager outstanding as Wagner’s hero
  • Wu-Tang Clan review – still bringing the ruckus even on their farewell tour
  • The Kingdom: Oxford Bach Choir, BSO/Nicholas review – Elgar’s unloved oratorio sounds expansive and convincing

Contact www.freakyparty.net   Terms of Use