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Loathe: A Stranger to You review – metalcore masters offer stylistic swerves and surprising beauty

Granite-hard riffola collides with balm-like electronics and tinkling jazz piano in a thrilling fourth album of musical metamorphosis

System of a Down review – perverted pop and anti-war anger mixed into a metal melee

The veteran band may not have much new material to show for the past decade or so but this brutal, melodious mayhem still inspires catharsis

Metallica review – metal legends break out the pyrotechnics … and a Proclaimers cover

Armed with four drum kits, an arsenal of hits and a 50,000-strong snake pit, Lars Ulrich and co deliver a masterclasss on their marathon world tour

Download festival review – Guns N’ Roses flop and Letlive thrive as metal’s biggest fest enters the future

Often criticised for booking the same old legends, the festival hosts a broad span of music’s heaviest genre, plus hip-hop, Indian folk – and, finally, its first female headliner

Sunn O))): Sunn O))) review – a seismic return to drone metal’s elemental core

The doomy duo strip back their sound to tectonic guitars and feedback, conjuring an immersive, strangely euphoric listening experience recorded in the wilds of Washington

Deftones review – alt-metal veterans sound exceptionally fresh 38 years on

The US band’s brawny, pit-inciting riffs come laced with blurry waves of distortion, making for music that is oddly reflective and melancholy

Converge: Love Is Not Enough review – metalcore veterans’ rage remains fresh and furious

Even after 35 years, the intricacies and emotional pangs of these masters of technicality remain undimmed, drawing from a seemingly bottomless well of inspiration

Megadeth: Megadeth review – conspiracy theories and combustible fingers on thrash metallers’ curtain call

Tuneful yet overlong, Dave Mustaine and co’s final album is a recap of Megadeth’s strengths, flaws and familiar grudges

Bad Omens review – anthemic songs and pillars of fire dampened by arena nerves

Noah Sebastian’s vocals switch deftly from croon to scream to whisper, but the genre-hopping US metalcore band lack chemistry on the big stage

Agriculture: The Spiritual Sound review – unabashedly gorgeous noise from ‘ecstatic black metal’ band

The LA group deliver all the power and euphoria of heavy music with imaginative detailing on their second album, which will have you levitating with joy

Nova Twins: Parasites & Butterflies review – fearless rock duo balance anthems and introspection

Trailblazers Amy Love and Georgia South push the boundaries of their trademark hybrid rock sound while confronting mental health and naysayers

Bloodstock review – this is the UK’s best fest for true heavy metal madness

Trivium bring the bells and whistles, Gojira are supercharged and Machine Head get 1,011 crowdsurfers as they etch themselves on extreme metal’s Mount Rushmore

Judas Priest review – thrash, hellfire, dazzling guitar … Ozzy would have loved it

Still making stellar new music in their sixth decade, the Brummie band pay tribute to the late Black Sabbath frontman as they cement their place among the heavy metal gods

Black Sabbath and Ozzy Osbourne: Back to the Beginning review – all-star farewell to the gods of metal is epic and emotional

The biggest names in rock, from Metallica to Slayer, came to pay tribute to the men who created their entire genre – and even in old age, Sabbath’s sound has bludgeoning force

Slayer review – spectacle, gore, mayhem and some of metal’s greatest songs

The thrash legends’ first UK gig in six years is a lean and unforgivingly mean set – no breathers, no ballads, only teeth-rattling bangers

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  • Grieg Lyric Pieces album review – Feltsman brings a probing flexibility that transforms this music
  • Strange Loops: Clarinet Quintets album review – drama, imagination and sonic flair
  • Flo: Therapy at the Club review – skirting the dancefloor and overly sweating the small stuff
  • Arun Sood and Angeline Morrison: Donn/Dubh review – British folk giants startlingly transform sacred histories
  • Ravyn Lenae: Blue Island review – from Suicide to Squarepusher, grunge to Janet, a pop one-off plots her unique path
  • Phoebe Bridgers: Lost Weekend review – long-awaited return is a thrilling, daring study in dislocation
  • Ring Cycle review – AI staging dispenses with drama to create banal bric-a-brac
  • BBCSO/Järvi/Kavakos review – virtuosic violinist makes fiendishly light work of Tchaikovsky
  • Aurora Orchestra/ Collon review – Freud analyses Mahler to decipher music from the heart
  • Parsifal review – blood, lust and goth energy fuel Wagner’s Grail quest
  • Ariana Grande: Petal review – calm, controlled anger at exes, fans and the media
  • Tao of Glass review – stage magic as McDermott meditates on the minimalist master
  • Arca: XXXXX review – a wild, brilliant album that taps into our bodies’ most feral frequencies
  • Melodies International presents Ariwa Sounds review – head-spinning classics from dub legend Mad Professor
  • John Tilbury: At Home album review – an eclectic and extraordinary treasure trove
  • BBCSSO/Wigglesworth / Booth review – Brett Dean’s song cycle is rich and strange
  • Die Fledermaus review – Strauss staging has flourish and froth, but not enough fizz
  • Shaboozey: The Outlaw Cherie Lee & Other Western Tales review – a striking addition to the rich canon of country concept albums
  • Giordano: Marina album review – a fascinating resurrection of an unsung early opera
  • BBCSO/Oramo review – Turnage’s satisfying and clever Festen Suite makes UK debut
  • LPO/Gardner review – squirrels, shepherdesses and a tumultuous storm
  • Rienzi review – Wagner’s early opera makes its Bayreuth debut as a frenzied contemporary election drama
  • CBSO/Yamada review – Poulenc and Adams pairing is stylish, witty and thrilling
  • The Oresteia review – this body-shaking, blood-soaked opera is exhilaratingly wild
  • Three Choirs festival review – impressive opening salvo full of crackling energy and exuberant fireworks
  • Sinfonia of London/Wilson review – night of Technicolor masterpieces from one of the finest orchestras on the planet
  • Luke Combs review – regular Joe megastar brings the arena-sized party home
  • The Strokes: Reality Awaits review – a perfect marriage of mayhem and melody on their best album in years

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