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Metallica review – metal titans on fine form in spectacular rarities-focused show

The first night of a new residency is an immersive plunge into the band’s visual world that showcases the depth of their catalog

Spiritbox review – Canadian metal ranges from gothic and guttural to Auto-Tune pop

Singer Courtney LaPlante’s delivery typifies the tension between hard and soft in a confident show that could do with more grit

Evanescence review – devastating power and range from one of rock’s great vocal talents

The titanic choruses and stormy metal riffs of latest album Sanctuary are the perfect foundation for Amy Lee’s astonishing, skyscraping vocal range

Chelsea Wolfe: The Dark review – existential reflection goes from whisper to gothic scream

The genre-blending Californian artist casts off past toxic influences with a powerful set of tender, brooding and emotionally charged songs that wouldn’t feel out of place as festival anthems

Loathe: A Stranger to You review – metalcore masters offer stylistic swerves and surprising beauty

Granite-hard riffola collides with balm-like electronics and tinkling jazz piano in a thrilling fourth album of musical metamorphosis

System of a Down review – perverted pop and anti-war anger mixed into a metal melee

The veteran band may not have much new material to show for the past decade or so but this brutal, melodious mayhem still inspires catharsis

Metallica review – metal legends break out the pyrotechnics … and a Proclaimers cover

Armed with four drum kits, an arsenal of hits and a 50,000-strong snake pit, Lars Ulrich and co deliver a masterclasss on their marathon world tour

Download festival review – Guns N’ Roses flop and Letlive thrive as metal’s biggest fest enters the future

Often criticised for booking the same old legends, the festival hosts a broad span of music’s heaviest genre, plus hip-hop, Indian folk – and, finally, its first female headliner

Sunn O))): Sunn O))) review – a seismic return to drone metal’s elemental core

The doomy duo strip back their sound to tectonic guitars and feedback, conjuring an immersive, strangely euphoric listening experience recorded in the wilds of Washington

Deftones review – alt-metal veterans sound exceptionally fresh 38 years on

The US band’s brawny, pit-inciting riffs come laced with blurry waves of distortion, making for music that is oddly reflective and melancholy

Converge: Love Is Not Enough review – metalcore veterans’ rage remains fresh and furious

Even after 35 years, the intricacies and emotional pangs of these masters of technicality remain undimmed, drawing from a seemingly bottomless well of inspiration

Megadeth: Megadeth review – conspiracy theories and combustible fingers on thrash metallers’ curtain call

Tuneful yet overlong, Dave Mustaine and co’s final album is a recap of Megadeth’s strengths, flaws and familiar grudges

Bad Omens review – anthemic songs and pillars of fire dampened by arena nerves

Noah Sebastian’s vocals switch deftly from croon to scream to whisper, but the genre-hopping US metalcore band lack chemistry on the big stage

Agriculture: The Spiritual Sound review – unabashedly gorgeous noise from ‘ecstatic black metal’ band

The LA group deliver all the power and euphoria of heavy music with imaginative detailing on their second album, which will have you levitating with joy

Nova Twins: Parasites & Butterflies review – fearless rock duo balance anthems and introspection

Trailblazers Amy Love and Georgia South push the boundaries of their trademark hybrid rock sound while confronting mental health and naysayers

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  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
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  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • Macklemore’s Free Palestine tour review – a triumph of a show with performances from Hozier, Kneecap and more
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  • Igor Levit: Resistance album review – essential listening in a time of bullies and despots
  • Loidis: From the Toolkit of Lovers review – epic 111-minute album is a teeming universe of detail
  • Basma and Temir Alcy: NAD review – skulking, sultry French-Moroccan crew evoke this shifting season
  • Super Graphic Spectacular review – Chappell Roan dazzles at her gloriously gay mini-festival
  • Amy Winehouse: Back to Black 20 review – trying an all-star Amy tribute show is a losing game
  • Bournemouth Symphony Orchestra / Wigglesworth review – phrasing with hospital corners
  • Bartók: Miraculous Mandarin Suite, The Wooden Prince album review – vivid colours and astute pacing
  • Shovel Dance Collective: Everything in Readiness review – ecstatic, dissonant folk music fighting for sonic and spiritual freedom
  • Perle Noire: Meditations for Joséphine review – turgid tribute to pioneering star
  • The Alonetimes review – frenetic, funny and exhilarating music theatre
  • With nine new recordings of Mahler’s epic Resurrection Symphony this year alone, which rises above the rest?
  • LSO/Pappano review – bold, dramatic and cohesive reading of Mahler 2
  • Michael Kiwanuka: Fudge review – rough and instinctive, but also lush and alive with melody
  • RLPO/Hickox review – a made-to-measure clarinet collaboration two decades in the pipeline
  • 4.48 Psychosis review – a dazzling, harrowing opera worthy of Sarah Kane’s furious writing
  • Ariadne/Dido and Aeneas review – English Touring Opera conjures two strikingly different mythological worlds
  • PatKop & Say album review – playfulness and beguiling delicacy in mix of new and old
  • Worldpeace DMT: Stick Around for Tea review – ‘laptop twee’ duo keep things goofy but strengthen songs

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