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Katy Perry review – ​like being high on Haribo while trapped in a theme park

In a fun but frenetic show, the star hangs off props, wears a glove that shoots pyrotechnics and generally distracts from her own energy and charisma

The Kooks review – a triumphant and touching mass singalong

Playing to the biggest crowds of the careers, the 00s indie stalwarts perform like they’re loving every minute – although there is also raw emotion in Manchester on the night after the synagogue attack

Taylor Swift: The Official Release Party of a Showgirl review – lazy big screen cash-in

The megastar’s underwhelming new album gets a suitably sub-par cinematic accompaniment offering very little for even the most devoted of fans

Ethel Cain review – a sublime rejection of pop stardom from the shadows

Bathed in darkness and backed by a formidable band, the Florida singer-songwriter turns her brooding southern gothic into a mesmerising, slow-burn spectacle

Agriculture: The Spiritual Sound review – unabashedly gorgeous noise from ‘ecstatic black metal’ band

The LA group deliver all the power and euphoria of heavy music with imaginative detailing on their second album, which will have you levitating with joy

Taylor Swift: The Life of a Showgirl review – dull razzle-dazzle from a star who seems frazzled

Far from the Max Martin-assisted pop juggernaut fans expected, this soft-rock paean to domestic bliss is slight on tunes and still seethes with grievance. And the less said about her fiance’s ‘magic wand’, the better

Sigur Rós and the London Contemporary Orchestra review – crashing waves of refined harmony

Perhaps the band that can best justify a mid-career gig with classical backing, the extra heft of the orchestra adds power to the Icelanders’ beautiful crescendos

Lady Gaga review – from skeletons to sexy plague doctors, this is a glorious, ridiculous spectacle

Move over Chappell Roan – Gaga’s eighth world tour is a full-blooded return to OTT camp, with a Nietzschean nemesis and a zombified crowd of fans driven berserk with glee

Doja Cat: Vie review – master pop provocateur splits the difference between sugar and spice

On her fifth album, the Californian tempers the bite of 2023’s Scarlet with glossy, lovestruck sounds – but never loses her instinct for mischief

Various Artists – Pasé Bél Tan: Francophonies and Creolities in Louisiana review – foot-stomping joy

Influenced by jazz and early blues, this collection of largely African American folk music from the 50s to the 80s spans poignant lyricism to full-throated celebration

Geese: Getting Killed review – Cameron Winter and co’s surreal, swaggering spectacular

Opaque but brilliant, the Brooklyn indie-rock band’s fourth album is full of the dread and dark absurdity of our current moment

Olivia Dean: The Art of Loving review – British pop’s biggest new star sheds the neo-soul cliches to really shine

Already dominating the charts and seemingly inspired by 70s LA, this exceptionally well-made record is full of diaristic detail and sweetly understated vocals

Chappell Roan review – pop’s patient princess triumphantly takes the throne in New York

The star claims she wasn’t ‘feeling 100’ for her Queens stadium show but it was hard to see any fatigue as she carried the crowd through her dazzling setlist

Deacon Blue review – Scottish hitmakers are more poignant and potent than ever

Still an arena-filling prospect long after their late-80s heyday, the veteran band bring political bite and pop prowess to a crowd-pleasing set

Busted vs McFly review – millennial ‘rivals’ let the pop-rock punches fly

The boybands go toe-to-toe with their catchy teenage anthems – and after a hefty 90-minute bout of greatest hits McFly just about edge it on points

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  • Death of Gesualdo review – a creepy and compelling combination of beauty and horror
  • Emmylou Harris review – spine-tingling goodbye from 78-year-old country legend
  • CBSO/Yamada review – Moore’s trombone adventures into Fujikura’s sonic oceans
  • A$AP Rocky: Don’t Be Dumb review – a charismatic, playful return, but it’s no slam dunk
  • Julianna Barwick and Mary Lattimore: Tragic Magic review – tragedy and hope in a dreamlike haze
  • Sleaford Mods: The Demise of Planet X review – vulnerability and versatility widen potty-mouthed appeal
  • Brahms: Late Piano Works album review – Anderszewski leans into the sorrow of these intimate miniatures
  • Robbie Williams: Britpop review – a wayward yet winning time-machine trip back to the 90s
  • Igor Stravinsky: Late Works album review – kudos to Reuss for bringing this spellbinding music to life
  • The Makropulos Affair review – Simon Rattle leads a sensational and thrilling semi-staging
  • Biffy Clyro review – triumphant set marks a thunderous renewal
  • Are ‘Friends’ Electric? review – Elaine Mitchener redefines what singing means in virtuoso tour-de-force
  • An English Song Winterreise review – Roderick Williams masterfully mirrors Schubert’s iconic song cycle
  • BBCNOW/ Bancroft/ Gerhardt review – intriguing connections, magic and melancholy beauty
  • Toni Geitani: Wahj review – radiant new frontiers in Arabic electronic experimentalism
  • Jenny on Holiday: Quicksand Heart review – Let’s Eat Grandma innovator’s knowing new-wave reinvention
  • In Search of Youkali album review – Katie Bray is outstanding in this voyage around Weill
  • Eric Lu: Schubert Impromptus album review – mature and mesmerising
  • The Cribs: Selling a Vibe review – songs of lost innocence and bitter experience strike a perfect, punchy balance
  • Brendel is celebrated in a glorious musical evening of silliness, sublime playing and warm affection
  • Shimmer review – National Youth Orchestra welcome the new year in bracing, stylish style
  • Iain Ballamy: Riversphere Vol 1 review – an exquisite flow of genre, harmony and improv
  • Blue: Reflections review – a clunky rehash of their Y2K boyband heyday
  • Boulanger: La Ville Morte album review – The celebrated teacher’s early opera is brought back to life
  • Dry Cleaning: Secret Love review – the south London band double down on their haunting, peculiar brilliance
  • Radu Lupu: The Unreleased Recordings album review – treasures from the vaults are a wonderful surprise
  • Hugh Cutting/ Refound review – countertenor’s darkly compelling recital is an imaginative treat

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