Echo and the Bunnymen review – Ian McCulloch leaves it to the crowd to sing these timelessly great songs

The frontman struggled to get through most of the band’s choruses but that left space for Will Sergeant’s glorious psychedelic shapes and a supportive sing along

Harry Styles review – Netflix concert is a communal love-in with some big pop moments

Recorded for the streaming giant, this performance wrestles songs from the star’s new album into more interesting shapes

Morrissey: Make-Up Is a Lie review – nostalgic, sentimental and dull, he is a shadow of what he once was

Dodgy conspiracy theories are thankfully kept to one track, but the rest is not much better, lacking insight even when Morrissey returns to his specialist subjects

Waterbaby: Memory Be a Blade review – stellar singer-songwriter pieces post-breakup life back together

The Stockholm musician’s debut album is a fascinating character study with improvised lyrics and a light, pretty sound that belies its emotional depth

Mitski review – pop meets performance art in a masterful spectacle

The Shed, New York CityAt a six-night residency, the singer creates an immersive world filled with wry humor and big emotions

Squeeze: Trixies review – finally completed first album proves teenage dreams are hard to beat

Squeeze’s first new album in nearly a decade is based on material written when they were teenagers. It’s endearing but callow

10cc review – 70s legends reprise a dazzling string of pop classics

Fifty years since the band fractured with the departure of Godley and Creme, songs from Donna to I’m Not in Love are in prime condition on what is billed as ‘another bloody greatest hits tour’

Harry Styles: Kiss All the Time. Disco, Occasionally review – nice all the time. Good, occasionally

The music on Styles’s new album is muted, subtle and pleasant – but from the title downwards, he has a real problem with words

David Byrne review – in life during wartime, this show will restore your faith in humanity

Byrne again reimagines the possibilities of the live gig, creating a vision of egalitarianism backed by elastic bass and polyrhythms

Lily Allen review – pop star makes much-anticipated comeback – but where is the West End Girl?

Allen isn’t in the first act of her own show, only coming on after 45 minutes of a string ensemble to stiffly deliver her acclaimed album in full

Morrissey review – classic Smiths songs meet GB News-style talking points

Morrissey is in impressive voice and the old songs still retain their power, but the conspiracy theorising and nationalist rhetoric are miserable in all the worst ways

Grace Jones review – chaos, nudity and endless costume changes: the disco legend’s show has it all

The 77-year-old is one of our greatest living performers, doing sit-ups, hula-hooping and even flashing the audience – but her rich voice is the true revelation

Cruz Beckham review – son of David and Victoria transcends nepo-baby tag with intriguing psych-pop

His music is still all over the place, lurching from landfill indie to solipsistic ballads, but the youngest Beckham son can certainly play guitar

Bruno Mars: The Romantic review – you’re better off listening to the songs he’s blatantly imitating

(Atlantic)Harking back to Oye Como Va, Move On Up and other 20th-century classics, Mars’s homages are beautifully performed but bereft of new ideas

Lala Lala: Heaven 2 review – brooding alt-popper fights the urge to run

Lillie West’s fourth album is a hazy, mid-tempo meditation on escape that gets stuck in a numbing mid-tempo mode – though there is a gorgeous moment of release