Lily Allen review – West End Girl’s marital collapse is superbly evoked at arena scale

Expanding on her recent theatre tour, Allen’s one-woman performance of her zeitgeist-dominating album is full of catharsis and high camp

Ariana Grande review – glittering hits and powerhouse vocals in stunning return to stage

The pop star’s first tour in seven years brought the house down with emotive ballads and clubby bangers delivered with saucy wit

Olivia Rodrigo: You Seem Pretty Sad for a Girl So in Love review – who’s she singing about? Who cares when the songs are this good

Gossips have rushed to the lyrics for details about her personal life, but the rest of us can just get on with luxuriating in Rodrigo’s funny, Cure-infused craft

Lola Young review – buoyant, brilliant return from British pop’s great oversharer

The Messy hitmaker is back after taking time away from live performance, and this charming, relatable set shows why she is such a gen Z icon

Kelsey Lu: So Help Me God review – strange, graceful songs drifting from pop’s edgelands

Aided by Jack Antonoff, Kim Gordon, Sampha and more, the cello-playing singer-songwriter’s abstracted yet tuneful second album is worth the seven year wait

St Vincent review – majestic orchestral transformations of jagged art-pop

The mercurial artist reworked her catalog with technical mastery – and playful dance moves – accompanied by the Boston Pops orchestra

Taylor Swift: I Knew It, I Knew You review – giddy up! Song for Toy Story cowgirl Jessie is Swift’s best in years

Full of handcrafted care and the rootsy soul of her country origins, this gently elated song is a reminder of what fans love about Swift … and the film series

Zoh Amba: Eyes Full review – raw, rugged country rock also has real tenderness

Better known as a formidable free jazz saxophonist, these thrashing songs about the artist’s Tennessee childhood home share a similar genre-pushing intensity

Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review – atmospheric, unsettling ambience

From birdsong to pool balls, this Lithuanian musician – a graduate of Copenhagen’s buzzy Rhythmic Music Conservatory – mixes beguiling found sounds into left-field pop and modern classical

Lizzo: Bitch review – a spirited star who just can’t rediscover her groove

After scrapping an album and starting anew, Lizzo still sounds lost amid these weak genre-hopping songs. Perhaps the zeitgeist has simply left her behind

Saint Levant review – Palestinian pop star makes Australian debut to an ecstatic, sold-out crowd

Even slight hand gestures elicit screams from his rapturous fans, at a show that brings politics to the party – and ends with a cameo from his father

Take That review – stadium redux of Circus tour has maximal razzle-dazzle

Elephants, clowns, aerialists hanging by their hair … the Big Top concept doesn’t let up at this hugely enjoyable outing for a boy band with hits to spare

Violet Grohl: Be Sweet to Me review – alt-rock arriviste aces the part

The daughter of Foo Fighters’ Dave does a serviceable line in 90s throwback sounds, though the nostalgia is too reverent

Iceage: For Love of Grace & the Hereafter review – Danish punks ace sixth stellar album on the trot

The quintet add shoegaze, country and 50s rock’n’roll to their core indie-punk sound, resulting in songs that offset lyrical bleakness with gleeful, uplifting music

Sugar review – Bob Mould’s reunited band still in a sweet spot between noise and melody

After three unlikely Top 10 albums in the 90s, the trio are back – and on the basis of this rapid-fire set, you hope they’ll stick around