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Bad Bunny review – dynamic Latin superstar hosts thrilling party

The Puerto Rican musician kicks off in a white suit fronting a salsa band in full flow, then switches up with a swaggering, chaotic rave in a replica island home

Metallica review – metal legends break out the pyrotechnics … and a Proclaimers cover

Armed with four drum kits, an arsenal of hits and a 50,000-strong snake pit, Lars Ulrich and co deliver a masterclasss on their marathon world tour

Muse: The Wow! Signal review – stupendous space-rock silliness … yet somehow surprisingly subtle?

From Count Dracula organ to choirs crying in Latin, the Devon band are scenery-chewingly preposterous​ yet nuanced on this epic about extraterrestrial life

Hayley Williams review – punk and R&B expertly intertwine on first solo tour for Paramore star

In her first European jaunt outside of her headbanging band, the singer uses humour to turn angsty songs into rowdy collective catharsis

Gorillaz review – a staggering hi-tech mini-festival from the magpie mind of Damon Albarn

A stream of high-profile guest stars included Johnny Marr, Little Simz, Shaun Ryder, Sparks, Yasiin Bey, Bootie Brown and Fatoumata Diawara

Ibeyi: Offering review – French twin sisters master the balance between mysticism and edge

Newly independent and proudly self-sufficient, Naomi and Lisa-Kaindé Diaz mix ancient lore with heavy bass, and harmonies with distortion, to incantatory effect

Myles Smith: My Mess, My Heart, My Life review – faceless, formulaic mush of Mumfords, Sheeran and Coldplay

He can write a decent rousing chorus, but the Stargazing hitmaker’s influences couldn’t be more obvious if he tried – right down to a ghastly Galway Girl sequel

Lily Allen review – West End Girl’s marital collapse is superbly evoked at arena scale

Expanding on her recent theatre tour, Allen’s one-woman performance of her zeitgeist-dominating album is full of catharsis and high camp

Ariana Grande review – glittering hits and powerhouse vocals in stunning return to stage

The pop star’s first tour in seven years brought the house down with emotive ballads and clubby bangers delivered with saucy wit

Olivia Rodrigo: You Seem Pretty Sad for a Girl So in Love review – who’s she singing about? Who cares when the songs are this good

Gossips have rushed to the lyrics for details about her personal life, but the rest of us can just get on with luxuriating in Rodrigo’s funny, Cure-infused craft

Lola Young review – buoyant, brilliant return from British pop’s great oversharer

The Messy hitmaker is back after taking time away from live performance, and this charming, relatable set shows why she is such a gen Z icon

Kelsey Lu: So Help Me God review – strange, graceful songs drifting from pop’s edgelands

Aided by Jack Antonoff, Kim Gordon, Sampha and more, the cello-playing singer-songwriter’s abstracted yet tuneful second album is worth the seven year wait

St Vincent review – majestic orchestral transformations of jagged art-pop

The mercurial artist reworked her catalog with technical mastery – and playful dance moves – accompanied by the Boston Pops orchestra

Taylor Swift: I Knew It, I Knew You review – giddy up! Song for Toy Story cowgirl Jessie is Swift’s best in years

Full of handcrafted care and the rootsy soul of her country origins, this gently elated song is a reminder of what fans love about Swift … and the film series

Zoh Amba: Eyes Full review – raw, rugged country rock also has real tenderness

Better known as a formidable free jazz saxophonist, these thrashing songs about the artist’s Tennessee childhood home share a similar genre-pushing intensity

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  • Playing With Fire review – like Disney’s Fantasia on steroids as a virtual Yuja Wang plays amid luminous dreamworlds
  • Don Giovanni review – reality recedes in visually dizzying Mozart tour de force
  • Our Eyes Looking for God review – exploring the Black British experience in rap, reggae and arias
  • Neil Young and the Chrome Hearts: Second Song review – shaky album occasionally strikes gold
  • Gretchen Parlato: The Wise Ones review – snappy grooves and languid covers from always-arresting jazz singer
  • Haruomi Hosono: Yours Sincerely review – slight songs with huge hearts from the Japanese pop pioneer
  • Lucas Debargue: Gershwin Variations album review – freshness and flair
  • Angine de Poitrine review – mind-boggling math rock mastery from freaky Québécois duo
  • Lise Davidsen: Verdi album review – star soprano gives opera’s leading ladies radiant power and vulnerability
  • The Tubs: Hard Life review – indie’s Larry David spins self-loathing into glorious jangle-rock
  • Todd Rundgren review – try-anything veteran doesn’t let his freak flag fully fly
  • Evanescence review – devastating power and range from one of rock’s great vocal talents
  • Freiburg Baroque Orch/Rattle/Faust review – ‘problem’ Schumann works shine in exceptional evening
  • End of the Road festival review – Pulp and CMAT lead indie landmark’s joyous birthday party
  • BBCSO/Oramo/Gillam/Kanneh-Mason/Goldscheider review – Simcock’s triple concerto bursts with musical interest
  • RLPO/Manze review – all-British Prom features fiery theatrics and cheeky subversion
  • Munich Philharmonic/Lahav Shani/Martha Argerich review – the great pianist gleams
  • Oasis: Don’t Look Back in Anger review – mammoth tour movie brings the joy and poignancy of reunion
  • Jay-Z 30 tour review – the sheer profusion of nailed-on classics is dizzying
  • Katseye review – petulant hyperpop bops from a girl group in crisis
  • Berlin Philharmonic/ Petrenko/ Hadelich review – flawless musical beauty
  • Sairie: Beneath the Spreading Tree review – exquisite 70s-inflected folk heralds a move into autumn’s chill
  • Chat Pile: Who Loves the Sun review – sludge metallers resurface with a slightly limiting alt-rock rebrand
  • Vista, Saarikoski Songs, Three Preludes album review – Saariaho’s iridescent visions evocatively rendered
  • The Gesualdo Six/Colin Currie Group review – surely the year’s most atmospheric Prom
  • Berlin Philharmonic/Petrenko review – insightful Elgar and Tchaikovsky holds Proms audience in thrall
  • Adéla: Prima review – Slovakian star smashes the fourth wall to bask in pop’s cynicism and seduction
  • The Excursions of Mr Brouček review – Rattle’s illuminating touch lets Janáček’s sozzled antihero soar
  • Reading and Leeds festival review – post-GCSE blowout shows how dominant dance music now is
  • A$AP Rocky review – arena spectacular has plenty of helicopters but little sense of direction

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