There is something eternally teenage about the trailblazing rocker, who can still deliver at her glam-era best – but her rambling reminiscences are a bit Alan Partridge
The era-defining duo’s ultras are suitably spoiled in the first of this intimate five-day run, showered with rarities that put a different spin on their well-known history
Imaginative interpretations of Funkadelic and Frank Ocean sit alongside starry collaborations and gorgeous instrumentals on the bassist’s brassy side project
The duo’s snotty nonchalance may capture the post-Brat zeitgeist, but their true appeal lies in a talent for turning vintage dance influences into pointed modern pop
After 2018’s meditative Honey, the Swedish star returns to her trademark skin-tingling electro bangers – but this time she’s unpicking her trademark fixation on romantic love
Almost overstuffed with musical ideas, the singer’s second studio album can be self-indulgent and messy, but it’s a heartfelt and exuberant grand statement from an artist determined to go her own way
The British artist’s brilliantly ambitious first arena show is a breathtaking showcase of her artistic range, with pole dancing, vogue battles and sword fighting
Switching from convulsive rhythmic thrills to shimmering introspection, the Brooklyn indie-rockers’ music defies expectations and is viscerally of the moment
Performing, writing and producing everything herself, April Grey pares back her hyperpop electronics for an LP in thrall to 90s pop-R&B, with songs that big stars would die for
Amid the stylistic shifts of Blake’s seventh record come samples of Dusty Springfield and Dizzee Rascal: gripping distractions from some preachy sentiments
With Keef-style riffs and full-blooded commitment to the bit, resurgent brothers Chris and Rich Robinson resurrect the rocker lifestyle of eras past
With standout sets from Cut Copy, Marlon Williams and Water From Your Eyes, the cult favourite Victorian music festival has become the hottest ticket in town