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Suzi Quatro review – at 75, her signature scream is still thrilling

There is something eternally teenage about the trailblazing rocker, who can still deliver at her glam-era best – but her rambling reminiscences are a bit Alan Partridge

Pet Shop Boys review – no hits? No problem on first night of a masterful obscurities run

The era-defining duo’s ultras are suitably spoiled in the first of this intimate five-day run, showered with rarities that put a different spin on their well-known history

Flea: Honora review – Chili Pepper turns piper, taking up trumpet for a soulful jazz odyssey

Imaginative interpretations of Funkadelic and Frank Ocean sit alongside starry collaborations and gorgeous instrumentals on the bassist’s brassy side project

Paul McCartney: Days We Left Behind review – this wistful, lovely song is as McCartney-esque as it’s possible to be

This nostalgic new single suggests a convincing mature style, without the unnecessary straining for relevance that marred some recent solo releases

Fcukers: Ö review – hyped Harry Styles-supporting NYC hedonists have the hooks to merit the hoopla

The duo’s snotty nonchalance may capture the post-Brat zeitgeist, but their true appeal lies in a talent for turning vintage dance influences into pointed modern pop

Robyn: Sexistential review – pop doyenne returns with emotional grenades and a new philosophy

After 2018’s meditative Honey, the Swedish star returns to her trademark skin-tingling electro bangers – but this time she’s unpicking her trademark fixation on romantic love

Raye: This Music May Contain Hope review – a wildly ambitious epic of unbridled self-expression

Almost overstuffed with musical ideas, the singer’s second studio album can be self-indulgent and messy, but it’s a heartfelt and exuberant grand statement from an artist determined to go her own way

FKA twigs review – an Olympian display of pop prowess

The British artist’s brilliantly ambitious first arena show is a breathtaking showcase of her artistic range, with pole dancing, vogue battles and sword fighting

Geese review – all hail the new saviours of rock’n’roll

Switching from convulsive rhythmic thrills to shimmering introspection, the Brooklyn indie-rockers’ music defies expectations and is viscerally of the moment

BTS: Arirang review – the world’s biggest pop band return with dumb fun and downright weirdness

Ending a hiatus that began in 2022, the septet recapture a distinctiveness that had been threatening to ebb away

Grace Ives: Girlfriend review – bedroom-pop auteur goes widescreen for a gorgeous sobriety epic

The New Yorker’s third album leaves behind her DIY origins to channel cult pop classics by Lorde and Sky Ferreira

Underscores: U review – ultra-imaginative auteur has pop’s most brilliant brain

Performing, writing and producing everything herself, April Grey pares back her hyperpop electronics for an LP in thrall to 90s pop-R&B, with songs that big stars would die for

James Blake: Trying Times review – platitudes about politics and Kanye can’t detract from an excellent album

Amid the stylistic shifts of Blake’s seventh record come samples of Dusty Springfield and Dizzee Rascal: gripping distractions from some preachy sentiments

The Black Crowes: A Pound of Feathers review – pathos and profanity elevate peerless rock’n’roll pastiche

​With Keef-style riffs and full-blooded commitment to the bit, resurgent brothers Chris and Rich Robinson​ resurrect​ the rocker lifestyle of eras past

Golden Plains 2026 review – Basement Jaxx turn a regional farm into a surreal and heaving club

With standout sets from Cut Copy, Marlon Williams and Water From Your Eyes, the cult favourite Victorian music festival has become the hottest ticket in town

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  • Manchester Camerata review – mental torments build up to a royal meltdown
  • The Marriage of Figaro review – Danielle de Niese’s slick direction weds finery with fun
  • St Vincent review – majestic orchestral transformations of jagged art-pop
  • BBCNOW/Bancroft review – conductor takes final bow in imaginative programme of vivid colours and emotions
  • Krishna review – the mystery of John Tavener’s ‘mystic pantomime’ is why it has been staged
  • Taylor Swift: I Knew It, I Knew You review – giddy up! Song for Toy Story cowgirl Jessie is Swift’s best in years
  • Zoh Amba: Eyes Full review – raw, rugged country rock also has real tenderness
  • Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review – atmospheric, unsettling ambience
  • Hourglass album review – Simone Dinnerstein gives Glass room to breathe
  • Lizzo: Bitch review – a spirited star who just can’t rediscover her groove
  • Beethoven: The Violin Sonatas Vol 1 album review – fresh-as-a-daisy performances from a duo with a gift for storytelling
  • Mike D review – ex-Beastie Boy’s first UK gig in two decades, in a Tyneside bingo hall, is uproarious fun
  • Saint Levant review – Palestinian pop star makes Australian debut to an ecstatic, sold-out crowd
  • Vespers review – haunting clash of cultures conjures Vivaldi’s Venice
  • Jack White review – former White Stripe’s art is like a 12-year-old visiting Tate Modern for the first time
  • Lise Davidsen and James Baillieu review – superstar soprano unleashes her inner Valkyrie
  • Orlando review – a confident romp through Handel’s flimsily plotted opera
  • Take That review – stadium redux of Circus tour has maximal razzle-dazzle
  • Hampson and Sidorova review – style over substance with a whiff of the cruise ship
  • Matías Aguayo: Anenoa review – the funkiest, freest singer in the business hits the dancefloor
  • Violet Grohl: Be Sweet to Me review – alt-rock arriviste aces the part
  • Dvořák: Symphony No 9 album review – Shani brings a natural freshness to a familiar work
  • La Traviata review – gripping and genuinely moving staging opens Garsington’s summer season
  • Colin Matthews: Seascapes album review – the songs teem with detail
  • Iceage: For Love of Grace & the Hereafter review – Danish punks ace sixth stellar album on the trot
  • La Fanciulla del West review – insightful staging reveals the power of Puccini’s maverick masterpiece
  • 125th anniversary gala concert review – back to 1901 as Wigmore celebrates birthday playing to its strengths
  • Sugar review – Bob Mould’s reunited band still in a sweet spot between noise and melody
  • Paul McCartney: The Boys of Dungeon Lane review – at 83, his gift for melody still astounds
  • Boards of Canada: Inferno review – after 13 years away, their prodigal return is a big disappointment

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